Exhibition City: Beijing
Exhibition :2009-12-06 ~ 2010-01-31
Opening: at 15:00 on December 6 2009
Venue: Chaoyang District, Beijing 255 Art Caochangdi Channel Gallery
exhibitors: Bai Chongmin way
Baichong Min's body text / Baichong Min Shu Yang
I know the behavior of the earliest works of art, is the 2002 series of activities to participate in the unit on the topic of women in collaboration with WU Wei Wo's large numbers of works of (Moso people matriarchal society of the funeral) as its ritual and symbolic representation based on recollections of life, but the lack of artistic expression of their point.
Bai Chongmin act 2006 work be moral plant in pushing a tricycle carrying ceramic tiles crying while walking trafficking , District security personnel to stop. time being regardless of the content of this work, only 798 of its way to the art of management can not be tolerated. Baichong Min misappropriated a realistic way hawkers, touched the lowest level of social management of the administrative nerve. Obviously the spirit of the sale of the mainstream products, has its proprietary distribution channels, and can not manage for the general public for the industry. performance art in the social environment, regardless of the implementation of the concept of how, in the gradual generalization of the Chinese contemporary art is still touch today the art of touching the most sensitive way of reality.
Bai Chongmin another act of creation in 2006, works of art, clouds, Balloon clouds formed as a symbol of environmental pollution match objects. under his dripping ink in the clouds will not help to parry, to express themselves the embarrassment of the situation, but also for the worsening environmental problems today cry. Baichong Min in the the victims of self-image of the design is performance art with the artistic appeal of the typical means of expression. In this way, is also reflected in Bai Chongmin the 2007 the public. does not repair the political, human greed and fear, if rats were also government, so care is also made of rats to others and themselves away. run until the reverse. Baichong Min to own the body of the trapped, the serious corruption of Chinese society the phenomenon of a clear straightforward question.
Bai Chongmin 2009 to participate in the Hong squeeze by the body. In the past three decades of Chinese performance art of naked performance art group, the Basically, the implementation of two works in accordance with the prior implementation of the scheme, participants are also fellow, easy to control the implementation process, sites are in the field almost no audience. and activities on-site collection of the voluntary participants (including artists, staff and visits to the audience), the venue is the audience gathered in a public exhibition space (798 area), participants in the implementation process works can improvise. In this work , you can see in the intense physical activity the participants enjoy the release of the body in the joy of freedom. and free the body, acts on behalf of the artists on the body as an artistic medium's basic attitude. the use of physical freedom, to become the social and performance art Art taboo political declaration. Therefore, the This is also the academic tradition of Chinese intellectuals. In the art market through the baptism of the Chinese contemporary art in China today might be to re-examine the relationship between art and reality. There is no doubt Baichong Min's performance art provided for this review new evidence. performance art not only as artistic experimental art forms, it is inspiring as a practical vehicle to pass their free spirit,
in Beijing
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